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The emperor of Ocean Park.From Unknown
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- Sales Rank: #10293519 in Books
- Published on: 2002-01-01
- Binding: Unknown Binding
Most helpful customer reviews
44 of 47 people found the following review helpful.
Black fiction from a middle class perspective
By Antonio
Although black influence may be discerned in many strands of modern popular culture, from sports to stand-up comedy, from music to fashion and movies, one couldn't say that this has also been the case for fiction. Professor Carter's book is a welcome first step in populating a compelling plot-driven narrative with characters we haven't heard from before (or at least, not to my knowledge). In "The Emperor of Ocean Park" black university graduates with high-powered jobs and all sorts of material comforts are resolutely center-stage. In Philip Roth's "The Human Stain", the main character must resign his blackness to achieve success and power in the academical world. Carter's characters never resign their race to be successful in the white man's world. The main voice is Talcott Garland's. He is a lawyer in his forties, a professor of law in an ivy-league-ish university, which in spite of Carter's denial in a post-scriptum is a straigth forward rendition of Yale Law School, where the author teaches. Garland is a complex man, not a cypher, surely a cut above the generic "cut-and-paste" renditions typical of modern popular fiction. He is slightly overweight, not very likeable (he is aloof and emotionally remote), very much his father's son. The father, the eponymous "Emperor of Ocean Park", is Oliver Garland, known in the book as "The Judge", a composite of Associate Justice Clarence Thomas, Judge Robert Bork and famous intellectual Thomas Sowell. A moderately conservative civil rights lawyer, he is appointed to a federal judgeship in the District of Columbia Appelate Court where he moves increasingly to the right. In the Reagan era he is nominated to the Supreme Court, but he must withdraw his candidacy when certain sordid associations become known to the public. He then joins a Washington D.C. firm as counsel and rakes in fat fees as a very popular public speaker. The Judge has shaped his children sometimes in ways he didn't mean to. The first born, Addison, is a rebel who refuses to be subject to his fathers very exacting standards of emotional self-control. His daughter, Mariah, the cleverest of all, has withdrawn from intellectual life to become wife of a rich white banker and mother of a large brood. Talcott has fled the rough and tumble of political life to become a tenured professor, and is stuck with Kimberley, a woman he adores, although she doesn't love him and may be cheating on him. A third daughter, Abby, died long ago, run over by a car that then fled the scene of the accident. This death is the catalyst of all that happens afterwards. The Judge is dead at the beginning of the book, and Talcott is quickly assailed by all sorts of shady figures who are looking for the Judge's arrangements. Talcott has no idea of what this means, and he struggles till the book's very end to find the arrangements and keep himself and his family alive. There is a complex chess problem (whose relevance is perhaps less clearly conveyed than the author intended) and several sub-plots to keep the reader occupied. Those thinking about buying the book should not be dissuaded by its heft. The book is a page turner and it has the right mixture of plot, action and rumination to keep the reader interested. It is also evidence that a book may be compelling without a single overtly sexual set-piece, without unnecessary profanity and without obsessive concern by fashionable slang or luxury good brands. This book will still be readable in fifty years without a special dictionary.
Many people have commented on the detailed rendition on the specifics of middle class lives. The big surprise is that these lives are similar to those of their white counterparts. Middle class blacks are hard working achievers, sometimes hindered by emotional distance and obsessive self-pondering. Perhaps one key point is that this is not the middle class as such that we are regarding, but the upper-middle class, with their large townhouses in Washington D.C. ("the Gold Coast") and their summer places in the Vineyard and the Hamptons.
We should expect this book to be slaughtered in the movie version, with Denzel Washington as Talcott, Morgan Freeman as the Judge, Hale Berry as Kimberley and Angela Basset as Maxine. Gene Hackman would be a good Justice Worthington. Read the book before you see the inevitable movie. It will only spoil the fun if you do otherwise.
40 of 44 people found the following review helpful.
Frustrating...I tried to like it, but unsatisfying ending.
By clutchhitter
(1) Too many secondary characters receive too much attention
(2) A crucial character who is set-up to be intriguing turns out to have no impact on the plot at all
(3) A big secret you were waiting for...is never revealed
(4) Most of the characters are extremely self-absorbed
(5) For a book that supposedly relates the experiences an unfamiliar world. I found very little that could be called insightful or even fresh.
(6)There's a couple of nice passages that made me say "right on!" But not enough.
(7) Sub-plots introduced early in the book have very abrupt endings midway through...muting their impact or cause you to wonder why it wasn't edited out.
(8) At close to 700 pages the pacing was very inconsistent: at times I coudn't put it down, but more often I felt anchored in one spot for 50 to 100 pages at a time.
(9) The tone was unremittingly downbeat.
30 of 34 people found the following review helpful.
Not What I Expected
By Myrna
This book has gotten a lot of good press- good reviews and the distinction of being The Today Show's first book club selection. Not a bad introduction to the market. The reality, in this case, doesn't live up to the hype.
Carter's style might be better suited to writing non-fiction than fiction. The book bills itself as a thriller, yet lacks the pace needed to sustain a good thriller. Of course, there's more to this book than the solving of a mystery, for the questions to be answered are woven into an examination of the deceased Judge Oliver Garland's character, politics, and familial role as well as an exploration of love, fidelity, loyalty - all issues of life beyond the solving of a mystery. Maybe that's the problem - Carter bites off so much, that it takes him over 650 pages to digest it all, and ultimately leaves the reader with the feeling of indigestion one gets from overindulging at a buffet rather than with the satiety of having enjoyed a fine meal. There's enough material for two novels - one a mystery, one a character (or issue) analysis. Each character has his own agenda: Older son Addison is the most detached from the family crisis, although he actually knows more than his siblings. Mariah, mother of 5 (to become 6 in the course of the book) has such comforts in her affluent life that she is left with no reponsibilities, a condition which unleashes her active imagination in seeking the answer to the family mystery. Younger son Talcott narrates. He is a complex character with personal issues that sometimes hinder his search. Are we following his relationship with his deceased father, who he refers to formally as "The Judge," or is it his splintering relationship with wife Kimmer, a candidate for a Court of Appeals judgeship? Talcott, Tal, Misha, all the same person, has definite issues with race, despite his black middle class upbringing and his position as professor of law at a New England college. Talcott's issues with his straying and ambitious wife Kimmer are woven into his quest to solve the mystery of "the arrangements" his father left to be found after his death. Kimmer, consumed with her upward move, is resentful that Talcott's search will jeopardize her candidacy and distances herself from him emotionally. Talcott, on the other hand, recognizing the weakness of their relationship, would be willing to continue it since to him, "love is a behavior, not an emotion." These sound like the words of one who can think, but can't emote. Only with his young son is Talcott capable of emotional love.
There is more character development in this novel than in the typical thriller, yet none of the characters are particularly likeable. Addison is too absent, Mariah too pathetic, Tal too much of an intellectual snob. The least likeable one, though, is the deceased Judge Oliver Garland, who set the whole plot in motion, controlling his children's lives even from the grave. 650 pages after the search for "the arrangements" began, I was just happy to have reached the end.
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